Atik^u

Arthur Lamothe Collection (BAnQ)

Filmmaker Arthur Lamothe has devoted most of his work to raising awareness of the First Peoples of Quebec, mainly the Innu and their culture. This collection covers two of his documentaries shot in the 1970s: “Amerindian Culture” and “Previous Memory”. Through 81 short films, various subjects are discussed, including snowshoe making and butchering moose.

Illustrations taken from Quebec periodicals: Inuit mores and customs (BAnQ)

19th century documentary iconography corpus. These images, taken from Quebec magazines: L’Opinion publique (1870-1883), Monde Illustré (1884-1902,1907) and L’Album Univers (1902-1907), paint a picture of the cultural and social life of the Inuit in a time when photographs were uncommon.

Je veux que les Inuit soient libres de nouveau : autobiographie (1914-1993) = Inunnik isumainnaqiqujigiallapunga : Inuusirminik allagaliavininga (1914-mit 1993-mut)

Taamusi Qumaq (1914-1993), considered one of the great thinkers of the Inuit of Nunavik, devoted his life to recording the lives of his people and their language, while recording the great changes of the 20th century. His autobiography, translated into French and available for the first time in its original language, is a document of great importance that opens up a compelling cultural universe. (Taamusi Qumaq Allatangit, Québec, Presses de l’Université du Québec, 2020, 309 p.)

Kuujjuaq: Memories and musings

Autobiography of Kuujjuaq elder, Dorothy Mesher. (Dorothy Mesher, Duncan BC, Unica Publishing Company, 1995, 123 p.)

Photographic serie: Montagnais and Naskapi communities of the Côte-Nord and Labrador (BAnQ)

This photographic series was taken by Paul Provencher and bears witness to his career as a forest engineer for the Quebec North Shore company between 1929 and 1963. During this period, he explored, surveyed and inventoried the boreal forest of the Côte-Nord and du Labrador. He meets and accompanies the Innu along the Manicouagan and Toulnustouc rivers and visits the communities of Betsiamites (Pessamit), Sept-Îles (Uashat Mak Mani-Utenam), La Romaine (Unamen Shipi), Moisie Fort Mackenzie (Kawawachikamach, Matimekosh). His photographs bear witness to the Innu-aitun culture and promote the recognition of ancestral aboriginal practices that have been tested and proven for centuries.

Qummut qukiria!: art, culture, and sovereignty across Inuit Nunaat and Sápmi : mobilizing the circumpolar north

Qummut Qukiria! celebrates art and culture within and beyond traditional Inuit and Sámi homelands in the Circumpolar Arctic — from the recovery of traditional practices such as storytelling and skin sewing to the development of innovative new art forms such as throatboxing (a hybrid of traditional Inuit throat singing and beatboxing). In this illuminating book, curators, scholars, artists, and activists from Inuit Nunangat, Kalaallit Nunaat, Sápmi, Canada, and Scandinavia address topics as diverse as Sámi rematriation and the revival of the ládjogahpir (a traditional woman’s headgear), the experience of bringing Inuit stone carving to a workshop for inner-city youth, and the decolonizing potential of Traditional Knowledge and its role in contemporary design and beyond. Qummut Qukiria! showcases the thriving art and culture of the Indigenous Circumpolar peoples in the present and demonstrates its importance for the revitalization of language, social well-being, and cultural identity (Igloliorte, H. L., Lundström, J.-E., & Hudson, A. (2022). Qummut qukiria!: Art, culture, and sovereignty across Inuit Nunaat and Sápmi: Mobilizing the circumpolar north. Goose Lane Editions)

Series of photographs: daily life of the Inuit of Nouveau-Québec (now called Nord-du-Québec) (BAnQ)

Series of photographs (1959-1967) taken by Armor Landry in the Nord-du-Québec region during his career as a photojournalist. These photographs are living witnesses of Inuit culture and find their basis in an ethnographic perspective. The Inuit are presented there as part of their daily life, as a family and as a guide to their territory. There are also aerial views of the surrounding flora and photographs of a former Hudson’s Bay Company trading post converted into supply stores. These photos were used for the illustration of newspaper articles and the preparation of reports.

What I remember, what I know: The life of a high Arctic exile

Larry Audlaluk

Larry Audlaluk was born in Uugaqsiuvik, a traditional settlement west of Inujjuak in northern Quebec, or Nunavik. He was almost three years old when his family was chosen by the government to be one of seven Inuit families relocated from Nunavik to the High Arctic in the early 1950s.They were promised a land of plenty. They were given an inhospitable polar desert. (Larry Audlaluk, Iqaluit, Inhabit Media, 2020.)